Re-Thinket-Trinket

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My name is Sonja B. My company is Re-Thinket-Trinket.

Creating is my passion,  and selling my products is my job!

Re-Thinket-Trinket came to life as a company in June, 2014. I am a self taught creator, I dare not say Jewelry maker — for I have not method nor techniques taught by a jewelry maker.

What I do:  I take something that is a Trinket — something sentimental or trivial, with no real monetary value, and create something special. Something you will admire, cherish and enjoy.

It’s re-cycling, re-creating, and rediscovering lost beauty.

I invite you into my world.  Experience the piece! Re-Think-et Trinket.

GnArly WoRld

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“GnArly WoRld” born Darryl Devon Merriweather in St. Louis, MO on April 29, 1994, is an American hip hop / pop artist, songwriter, performer and actor.  GnArly WoRld’s undeniable drive seems to match those of his influences.  He often cites Ace Hood, Lil Wayne, Michael Jackson, and Chris Brown as those inspirations. Live, Love, Life is the motto of this unique entertainer.

GnArly WoRld’s career start began when his Manager (cousin), DonRico of Promo Live Entertainment paired GnArly with engineer/producer Bradd Young. The undeniable sound of this collaboration was heard by industry veteran Louis Burrell in 2015 and later that year Rich Homie Quan featured on Gnarly World’s “Don’t Luv ’em No More.

Gnarly was quickly invited to perform for Epic/Sony chairman LA Reid. A speedy fast forward to 2016 GnArly WoRld’s first debut single “H.I.T.H” Hoes In This House, featuring chart topper Flo Rida is currently released to the nation boiling on radio stations across the country.  Creating and being the Life of the Party near you: GnArly WoRld!

 

A tale of two face-eating men in Florida – 1 white, 1 black

by Shaun King @shaunking

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Senior Justice Writer for the New York Daily News.  Husband and father of 5.
Morehouse alum.  #BlackLivesMatter

On this past Monday evening, Austin Harrouff, a 19-year-old Florida man, walked into the home of John Stevens III and Michelle Mishcon and allegedly butchered them. Using a switchblade he was known to carry, and several other blunt household objects, he slashed and bludgeoned the couple to death. Police said it appeared the husband tried to fight back before succumbing to his injuries. A neighbor, Jeff Fisher, called 911 and tried to fight Harrouff himself, but was stabbed as well.

According to reports, Harrouff then began biting chunks off of Stevens’ face.

Let’s pause and recap for a moment.

A man known to carry a switchblade brutally murders a beloved couple, stabs their neighbor, and begins to eat one of them.

Here’s how you know Austin Harrouff is white.

When police arrived, they had jaw-dropping patience. With blood, bodies, flesh and weapons everywhere, they saw Austin Harrouff and did not think to shoot and kill the bloody man hovering over the dead couple, but took their time. First, it appears the police assessed the situation. Then, they demanded Harrouff stop eating the bodies.

When he didn’t listen, instead of shooting and killing him, they Tasered him. When that didn’t work, they Tasered him again.

Still unable to stop Harrouff, police methodically worked their way up a use-of-force continuum and decided to unleash a dog on the man. When even the dog didn’t work, the police did something absolutely amazing to intervene.

Four different officers — in spite of the clear and obvious crimes that had taken place, in spite of the risks to their own safety — decided to surround Austin Harrouff and forcefully remove him, so that they could arrest him without shooting and killing him.

Not a single gunshot was fired by Martin County deputies. It was a moment of good policing. Sheriff William Snyder said the deputies were afraid to shoot, fearing their bullets would wound the victim.

What I know, and what many of you know too, is that had Austin Harrouff been black, he would’ve been shot and killed on sight.

For young black men, the use-of-force continuum is regularly thrown right out the window as police start blazing their guns with ferocity and quickness.

In fact, in 2012, a young black man named Rudy Eugene was found on a Florida causeway, eating the face of a man he had mauled. Photos and videos of the attack went viral and people wondered aloud if a zombie virus was causing people to act out. At first the attack was blamed on “bath salts,” a drug people speculated Eugene must’ve used, but toxicology reports actually found no such evidence.

When police neared Eugene, seeing that he would not get off of the man he mauled, they shot him repeatedly, killing him. No Tasers, no dogs, no squads of officers surrounding the man and pulling him off — just gunshots.

While it appears Austin Harrouff was taken into custody and later sedated in a hospital, Rudy Eugene died right there on the causeway. His mother struggled to even find a place to host his funeral.

What happened to Rudy Eugene, who appeared to be having a psychotic episode when he mauled a man, happens often when police are called on African-Americans suffering a mental health crisis.

Christian Taylor, like Austin Harrouf, was a 19 year old college student and beloved football player when he was discovered having some type of mental health episode. Unlike Harrouf, Taylor was black and hadn’t harmed a soul. Instead, he was found aimlessly meandering after hours through an auto dealership. He was unarmed. He hadn’t bludgeoned or mauled anyone. He wasn’t threatening anyone, but when police confronted him, he was shot and killed on contact. He didn’t fight the officer. They never even touched each other.

That officer, who was white, saw Christian Taylor and decided that the best option was lethal force. Young black men in crisis are never given the deference and opportunities to survive that were afforded Austin Harrouf.

Lavall Hall had been diagnosed with schizophrenia. His mother called 911 for medical help. When the police arrived, they shot and killed Hall. He hadn’t harmed anyone that night. Police said they feared for their lives because of the broomstick in Hall’s hands.

Are you following me?

A black man with a broomstick in a mental health crisis, or a young black student athlete who appeared confused and lost, are shot and killed by police — while a gruesome killer is given chance after chance after chance to make it out alive.

A part of the definition of white privilege is having options unique to you because of your skin. Clearly, those benefits even extend to a rampaging cannibal.

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BeastUp Films

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Demetrius Thomas is no stranger to the hip hop scene of the East St. Louis/ St. Louis area as he is known as “Devious Beast” in the streets, clubs, and music industry.  He now runs the trending film company known as BeastUp Films.  BeastUp Films is a St. Louis-based Video Production Company specializing in Music Videos for every genre of music.

BeastUp Films delivers excellent quality with professional shots and editing for use as a marketing device, intended to promote the sale of music recordings, promote an artist, business, or product.  They incorporate the use of a wide range of filmmaking styles and techniques to create entertaining music videos, that will not only demand your viewers attention, but will enhance and emphasize your musical content, business, or product.

Our production team will work with clients throughout the creative process, from brainstorming ideas and concepts to pre-production planning, licensing, production and hire the proper crew and actors — to make your video one of the best out there.  Our primary goal is to serve the client.  We specialize in music videos, weddings, documentaries, & more at the very lowest rates!

Contact us at 314.910.3108
facebook.com/beastupfilms
instagram @beastupfilms
beastupfilms@gmail.com

Demetrius Thomas
Simply Cinematik; BeastUp Films; Deviance Design; Operation Beastmode;
WE City, Devious Productions

Cinematographer-Videographer-Photographer-Graphic Designer-Promoter-Producer-Artist

www.facebook.com/beastupfilms

www.simplycinematik.com

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Shadow B

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Shadow B is an up-n-coming artist from the gritty streets of East St. Louis, Illinois. He’s more than your average underground local artist.  He has a keen delivery with complex metaphors and an arsenal of witty punchlines.  Shadow B is currently promoting his new club single #likeserena.  His new single modernizes the classic original sound of St. Louis music.  This is guaranteed to get the clubs popping and the ladies twerking. You can check out his new sinle #like serena on https://soundcloud.com/shadowb618/like-serena

Cordario Worrell

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Cordario Worrell (BODI) was born in Richmond, VA; he was raised in the small town of Petersburg, VA. Growing up as a child, Cordario found a love for many activities such as sports and the arts.  He states that there is no greater feeling than bringing inspiration and joy to others by way of your gifts and talents. There were many obstacles along this journey, Cordario states, such as being raised in a single mothered household, enduring poverty, and the violent dangers of his environment, to name a few. He credits God for giving him the strength to overcome these tribulations.  Today, Cordario is a successful professional/published model (Mr. Couture 2016/International Model of the Year 2014), and actor who appeared on networks such as BET and top theater productions with the Washington National Opera. He is a published author of the book “From the Pit, to the Palace,” and he also writes and sings his own music as an aspiring artist.  His ultimate goal is to help less privileged children reach their true destinies in life by showing them they can achieve anything — with focus, integrity, perseverance, and most of all…God.   LIVE TO INSPIRE!

Tiffany Foxx

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The city of St. Louis is known for churning out successful recording artists in the music business. Popular names such as Nelly, J-Kwon, Chingy and other Top 40s artists have all emerged from the Midwestern city. Another name to soon be recognized amongst the phenomenal musical talents representing St. Louis is female rapper, Tiffany Foxx. Tiffany Foxx discovered her love for music at a young age. In her youth, her artistic talents were cultivated by playing both piano and the clarinet; while her creative talents were unleashed through her love for writing poetry. As she became exposed to one particular popular artist from her hometown (Nelly), Tiffany Foxx began to fuse her artistic and creative gifts. As she started to put her poetry to music, she unlocked ability in herself that she never knew she had – songwriting. This ability quickly transcended that of the simple hobby of a young girl. As she rigorously practiced and cultivated her skills, Tiffany Foxx developed into the immensely talented emcee she is today. In 2007, Tiffany Foxx joined forces with two female rappers, also from St. Louis. Together they formed the rap trio, June 5th. As a female rap group, Tiffany Foxx, Scar La Don and Brooke Holladay coined the term “street couture” to describe their signature sound, which reflects influences from musical legends of the Rhythm and Blues and Hip Hop musical genres. In 2009, their breakthrough efforts earned June 5th a career spotlight in one of Hip Hop’s most reputable magazines, The Source.

ABOUT TIFFANY FOXX

About five years later, after encountering their share of deception and disappointment at the hands of people in the music business who were trusted to guide their career, the group would make a difficult, but unanimous, decision to forever remain loyal to their June 5th union, but to dissolve the musical entity and support the solo career of Tiffany Foxx. With the continuous and relentless moral and professional support from her sisters in music, Tiffany Foxx is making great strides in her solo efforts. Throughout her musical career with June 5th, Tiffany Foxx worked with Hip Hop heavyweights Eric Sermon, Snoop Dogg, Nelly, Jim Jones, Akon and more. Since embarking on her solo music career, Tiffany Foxx is currently working with reputable hit maker, Bangladesh. With Bangladesh taking her under his wing, her project has gained much momentum. Her debut solo mixtape is entitled Yellow Tape, and is slated to be released summer 2012. Tiffany Foxx attributes Lauren Hill, Queen Latifah, Lil Kim, Eminem and Adele as being her irreplaceable musical influences. A reflection of her personal style, Tiffany Foxx’s music maintains the description of “street couture.” In her music, you can hear her love for fashion and style and her story of struggle and sacrifice. Having claimed personal triumph over tragic events in her past such as sexual assault and other personal struggles, Tiffany Foxx refuses to allow any worldly force to keep her from realizing and living her dreams. Regardless of disappointing deals with past managers and shady industry characters, she remains focused. Having overcome both professional and personal obstacles over the years, the dominating theme for Tiffany Foxx in life and music is that of pride, independence, perseverance and humility.

The city of St. Louis is known for churning out successful recording artists in the music business. Popular names such as Nelly, J-Kwon, Chingy and other Top 40s artists have all emerged from the Midwestern city. Another name to soon be recognized amongst the phenomenal musical talents representing St. Louis is female rapper, Tiffany Foxx. Tiffany Foxx discovered her love for music at a young age. In her youth, her artistic talents were cultivated by playing both piano and the clarinet; while her creative talents were unleashed through her love for writing poetry. As she became exposed to one particular popular artist from her hometown (Nelly), Tiffany Foxx began to fuse her artistic and creative gifts. As she started to put her poetry to music, she unlocked ability in herself that she never knew she had – songwriting. This ability quickly transcended that of the simple hobby of a young girl. As she rigorously practiced and cultivated her skills, Tiffany Foxx developed into the immensely talented emcee she is today. In 2007, Tiffany Foxx joined forces with two female rappers, also from St. Louis. Together they formed the rap trio, June 5th. As a female rap group, Tiffany Foxx, Scar La Don and Brooke Holladay coined the term “street couture” to describe their signature sound, which reflects influences from musical legends of the Rhythm and Blues and Hip Hop musical genres. In 2009, their breakthrough efforts earned June 5th a career spotlight in one of Hip Hop’s most reputable magazines, The Source.

L’zs

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His name is Terry “L’zs” Kendrick 
Sketch Reel: ​https://youtu.be/LEtMU3kOtkE

His name is Terry Kendrick, Jr. — or L’zs Up as he’s known by the independent entertainment world.  Born and raised in St. Louis Missouri to parents Carla Crawford (Mother) & Terry Kendrick Sr. (Father).   Always eager with an upbeat spirit about himself, he has sought to become one of the greatest entertainers on the planet.  With a great sense of humor, comedy comes natural to him.  In the latter part of 2014, L’zs started creating skits that he uploaded to Facebook and Youtube.

With such a strong reaction from peers and others, he has continued to make skits and has created a name for himself.  Now he has launched his first DVD “SASC Sketched Mixtape,” which includes 50 skits, along with 2 short films that he has also starred in (“Training Night” & “The Last Joint”).  L’zs has become the social networking friend that others can relate to, very humble and motivated.  He credits his hard work ethic to his passion of being able to use his God given talents.  He has his own hashtag (#SASC) which you may see on skits, and as of late, on memes.  L’zs is looking to bring back the elements of great 90’s sitcoms such as In Living Color, Martin, The Fresh Prince and The Wayans Brothers, to name a few.  He looks up to greats such as hometown legend Cedric the Entertainer, Eddie Murphy and Martin Lawrence.

But L’zs isn’t the only one in on the action — he also includes his family and friends.  L’zs says, “This is my way of networking and playing my part on uniting my city.  As a father I want better for my children, I think that everyone is born to be great in their own way. We just have to find our strength and focus on it.

Success Over Everything Clothing

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Founded by Carmen Weaver (CEO)

Born and Raised in St. Louis, Missouri

Attended Lutheran North High School

She graduated from Harris Stowe State University and has a Bachelor’s degree in Business/Management

Started July 1, 2013

Age: 29

Success Over Everything Clothing is an original, creative lifestyle brand! We pull from our rich heritage of Art, Hiphop, Pop Culture, and Skateboarding.  Our mission is to provide a new look for people based on style, sophistication, and quality.

While encouraging diversity in fashion that is comfortable, fashionable, exciting, and satisfying.

Carmen says, “I’ve always been into fashion. I did a project on it and my professor in college encouraged me to make it happen.  I always felt ‘If You Don’t Build Your Dreams, Someone Will Hire You To Build Theirs.’  I rather be my own boss and create opportunities for others.

“We’re inspired by Hiphop and old movies. You have to be able to embrace Hiphop and art in order to really come up with your concepts.  For example, I’m a huge fan of the movie “Carmen Jones” played by Dorothy Dandridge.  You always see a Marilyn Monroe but never a Dorothy Dandridge.  That inspired us — Our originality is everything.  Sometimes it can be just everyday life that inspires us.”

The D.O.C. Reveals Which Songs He Wrote For “The Chronic”

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The D.O.C. Reveals Which Songs He Wrote For Dr. Dre’s “The Chronic” Album

Submitted by: Boogie Corleone

 

The D.O.C. is among Hip-Hop’s most revered songwriters. The Dallas, Texas native worked extensively with N.W.A. and his Fila Fresh Crew before his heralded 1989 debut, No One Can Do It Better. Following the Dr. Dre-produced album, The D.O.C. would partner with then-manager Marion “Suge” Knight in helping launch the label that would eventually become Death Row Records.

During this time, the former Ruthless Records artist suffered a crushing career setback when a 1989 auto accident would compromise his speaking and rapping voice. The damage would remove The D.O.C. from the spotlight, despite a career that persisted into the 2000s. No longer with his full instrument, the man born Tracy Curry became a songwriter at Death Row, and other places. Perhaps most notably, the MC penned much of The Chronic, the would-be solo, multi-platinum juggernaut for N.W.A.’s Dr. Dre.

Asked about the breakthrough single, 1992’s “Nuthin’ But A ‘G’ Thang,” The D.O.C. told Vlad TV, “I knew [it was a hit] when we wrote the record. That’s why I told Snoop [Dogg] to put my name [in his verse]. I knew I was gonna [be in] that video! [Laughs]” The D.O.C. would be featured in Dre’s blue 1964 Chevrolet Impala in what would become one of Hip-Hop’s most iconic music videos. Snoop Doggy Dogg, then a fledgling artist, shouted out The D.O.C. and his album title in the verse. According to the song’s co-writer, it came from a request. “[I said], ‘Put my name right there!’ Dre hates that! [He complained], ‘Why you always got your name in the record?’ [Laughs] C’mon man, I gotta get in where I fit in.”

Notably, seven years later, The D.O.C. would reprise his role in the video for “Still D.R.E.” While Snoop Dogg was again the featured vocal guest, that 2001 single’s verse for Dre was written by Jay Z.

In the same video interview, Vlad checks through much of The Chronic, asking The D.O.C. about his writings. “Deeez Nuuuts,” “Lil’ Ghetto Boy,” “A Nigga Witta Gun,” “Rat-Tat-Tat-Tat,” and “The $20 Sack Pyramid” are all confirmed by The D.O.C. as songs he helped write. Of “Lyrical Gangbang,” he says, “That’s the young ones, but I helped them.” The song featured Snoop, Kurupt, The Lady Of Rage, and RBX. Of X, The D.O.C. also gives the cousin of Snoop Dogg credit for writing on “High Powered.”Afterwards, D’ takes credit for Dre’s verse on album closer “Bitches Ain’t Shit.” Reflecting, the artist with two solo albums after The Chronic admitted, “I was all over that record. Wow!”

Notably, the songs differ, slightly, from those which The D.O.C. is credited for writing. He tells Vlad that at the time, his contracts with the label were not in proper standing. “It’s bad,” said the MC, who would later leave Southern California to return to Dallas. However, he did not lay blame on mentor Dr. Dre or manager Suge Knight. “It’s not about them. It’s me about me. I’m drinking, everyday. I’m probably doing drugs, everyday.” The artist connected his substance abuse to a life of hardship, and a career that was largely perceived as ruined. “[I was] trying to get away from that pain, bro.”

In hopeful news, 2015 saw The D.O.C. publicly admit regaining some use of his vocal chords. This could possibly prompt a fourth album, or new opportunities to the Rap mainstay.

Later in the interview, The D.O.C. broke down his last (and recent) conversation with his former manager. Speaking on the murder Suge Knight is presently charged with, The D.O.C. says similar incidents were commonplace during his time with Death Row. “That’s the kind of stuff I was surrounded by, all the time. It was just nasty.”